On the second of this week on a stumbling Tuesday, I caught a live show from one of the first artist that shifted my mind from mainstream media.
Back in the the mid 8o's, and freshly stupid from public high school I was lucky enough to catch some stray radio waves from KBOO a local public radio station. I think the show was called definitive pop, but cant recall. Armed with a cassette recorder, I would listen through the night as music would pour into my single room, in the Fairfield Hotel, where I rented from in that era. Taking my Rock and Roll notes, I would wait for the next days sun, run downstairs and make my way to the corner of S.W. 11th and Stark into Django used Record shop. With my notes in hand I spent hours in the record bins forging my knowledge forward. I soon developed a vinyl habit that squeezed on my dead end job wallet. Back then Portland's used record shops were all over town and each shop filled a special niche for my fix. A time before the CD, a time that doesn't really exist much in this day. even with recent vinyl revival. Good times.
With April 2nd 2013 in my lungs, The wife and I were happy to experience the Aladdin theater, up on stage Billy Bragg. His early songs had such a influence on me, my mind thinking in ways that definitely changed my life. Its rare that modern musicians do such. He taught me how to focus my teen rebellions on issues that mattered. This was the first time I had seen him live, and satisfied my now aged bucket. Supporting his new album Tooth and Nail his bearded tour covered a lot of material from his career. I found it very reflective, and was impressed with his ability to address the drinking hecklers with a pointing finger, sharp political tongue, and worldly perspective. His band that rotated on and off the stage played tight to the songs with a comfortable relaxed nature. I must admit the early songs that Ive carried with me for years were just touched upon, gathering a boot from my ass for not seeing him when those songs were fresh from the Bragg tree. Songs like: Man in a Iron mask, Greetings To The New Brunette ,Levi Stubbs', I could on and on with this boot. He did open the show with Ideology and later shared There Is Power In A Union, The Milkman Of Human Kindness, and To Have and To Have Not, mid-set. along with his dedications to Woody Guthrie with a haunting I Ain't Got No Home, and later songwriting including new cuts from Tooth and Nail.
Billy was able to craft a show that makes one question their luxury. and gave a comfort to the active working class, regardless of the labels so many want to attach in this age. After the show Billy hung out at the swag counter to "arm wrestle with fans". With a high crowd level and a late weeknight I was unable to make my way through the fanfare to thank him for his ongoing influences.
It would have been nice to share some rust.
Aux-lo takes the scraps of a discarded world and places them into arrangement. Never like the mass of agreement, never given the space or time. Auxiliary set low, for worldly planes, that crave a background ambiance. Never in need of the spotlit pop machine. Curious of the unpolished jem. pushing forward with burning books, agitating the normal idea that brought us here. Now is forever tomorrow the next!
TUNAGE
Friday, April 05, 2013
Friday, March 08, 2013
Thursday, February 14, 2013
Pocket Fuzz
This evolved over the course of a couple weeks, I was shooting for a certain sound and ended up with something completely different. I find this to be an odd piece, the next experimental adventure will probably be a little more conventional. The one thing that seems to come to mind here is the theme of sounds that orbit the song foundation. I also hear slight influences from George Lucas.
Monday, December 31, 2012
Monday, December 24, 2012
Sunday, December 02, 2012
Sunday, October 28, 2012
Sunday, August 12, 2012
Friday, March 23, 2012
Meat

Found these in the archives, thought I'd bring them into the light.
The Effervescent Orchestra/Meat MP3:
This was 4 tracked by Kevin in his basement, then we added another track at a later date. I Mixed all the tracks back together in The Aux-Lo basement, and the end result is a bunch of audio noise, that breaks into new territories.

The Effervescent Orchestra/Don't know why?(working demo version)MP3: This was a burst of song that was made up on the spot, I want to revisit this soon. Its a bummer my vocals were not up to snuff and they were permanently married into the acoustic guitar track. Recorded in Kevin's basement studio after we recorded the tracks for "Meat". I added some electric guitar tracks here in the Aux-lo basement studio. The lush keyboard orchestration in the back ground, is actually my guitar looped with lots of effects. I'd like to rerecord this with drums, and add my wife Angela in on background vocals, This is only part of the recording, the first part of the song I left off as my voice was not warmed up and is way off key.
Labels:
AUX-LO,
Don't know why,
Meat,
The Effervescent Orchestra
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